Day: Saturday September 19th

The acclaimed author of How to Be an Antiracist and the National Book Award winner Stamped from the Beginning charts how “great replacement theory” has become a dominant political idea of our time and ushered in an antidemocratic age.

Recall the words chanted in Charlottesville, Virginia: “You will not replace us!” Recall the string of mass shooters across the globe—in Oslo, Christchurch, Buffalo, El Paso, and Pittsburgh—who claimed their crimes were a defense against “White genocide.” Recall business and media figures cultivating anxiety and furor over demographic change. These incidents only scratch the surface: Popular and ruling politicians in every region of the world have expressed some version of great replacement theory, eroding democratic norms in the name of preventing demographic change.

The term was coined in 2011 by a French novelist who argued that Black and Brown immigrants were “invading” Europe, brought by shadowy elites to “replace” the White population. From there, politicians and theorists in the United States and elsewhere repackaged it as a story of “globalists” welcoming “migrant criminals” and promoting diversity to take away the jobs, cultures, electoral power, and very lives of White people. Over time, great replacement theory has expanded those under threat to include citizens, men, Jews, Christians, heterosexuals, and ethnic majorities in countries as distinct as Russia, El Salvador, Brazil, Italy, and India, all targeted with the message that they are facing an existential attack that only a strongman can prevent.

In Chain of Ideas, internationally bestselling author Ibram X. Kendi offers an unsettling but indispensable global history of how great replacement theory brought humanity into this authoritarian age—and how we can free ourselves from it.

Ring Shout on Saturn: In Ring Shout on Saturn (Third Man Books | June), following last year’s Mojorhythm, Thomas delivers book two in her three book sequence of short stories,The Root and Sky Series. 

Prepare to be transported on a cosmic journey where ancient African Diasporic wisdom meets expansive Afrofuturist visions. From a prophet building a starship from salvaged dreams on a Martian farm to children breaking generational curses through powerful moonsongs, these tales explore themes of transformation, survival, and the enduring quest for liberation. Alien sisters navigate human complexities and river spirits offer profound wisdom, all set to an ancient beat that transcends time and space. 

Pulsing with Hoodoo, music, and myth, this collection resonates with the profound rhythms of existence, proving that true freedom knows no bounds—not even the cold void of space.

The Tongue I Dream In: This book of poems, stories, and essays draws together examples illustrating a mind immersed in Black legends and white myths, and in the growing realization of our place in the world and time, and in irresistible pull of the future: starships, floods, dancers twinned by crystal-filled caverns, and iridescent crops of living retribution. In her interview, Thomas explores the intricate intersections of poetry and activism and underscores the way she inhabits them. Taste with this book’s tongue the salty sweetness of her world.

A Pulitzer-finalist historian charts a 250-year-old intellectual and political tradition—the conviction that all Americans are NOT created equal.

The story of American history is often told as a hard-won march toward the promise of equality, derived from Thomas Jefferson’s famous proclamation that “all men are created equal.”

But this inspiring story obscures a parallel tradition: an enduring and organized argument against equality itself. Again and again, influential Americans have asserted a fundamental inequality among human beings, arguing that the social, economic, and racial hierarchies in which some groups of people rule over others are not only natural but good.

In Country of Lords acclaimed historian Kim Phillips-Fein traces this argument for inequality through six vivid archetypes. She discusses the natural aristocrats, such as John Adams, who feared the tumult of too much democracy; the social Darwinists, led by Yale professor William Graham Sumner, who blamed the poor for their own miseries; those who preached a gospel of production, including Henry Ford, who wanted an industrial hierarchy in which the “best” people ruled over compliant inferiors; utilitarian racists who advocated for eugenics and a racial hierarchy; meritocrats like Harvard psychologist Richard Hernstein who described an economic caste system based on “intelligence” in his co-authored book, The Bell Curve; and most recently, technocrats who seem to see themselves as superior because they are closest to the machines destined to outstrip and supplant fallible flesh-and-blood humanity.

The anti-egalitarian lineage Phillips-Fein traces is both clear and deeply unsettling. It challenges readers to think about the fragility of the ideal of equality and to reckon with the disturbing arguments of those who have campaigned against it over the past two and a half centuries. Country of Lords is essential reading for anyone trying to make sense of the widening gap between the nation we claim to be and the nation we are becoming.

Now a Baltimore Book Festival tradition, we’re kicking things off with Drag Queen Story Hour at the 32nd Street Stage! Join us for a family-friendly morning storytime featuring Baltimore’s beloved drag performers Jesus Vice & Chanel Janaé Chloè! Especially aimed at our youngest readers & book lovers, but open to the whole family! Come and read some of our favorite diverse and affirming storybooks as a community!

An exploration of sisterhood, creativity, and community inspired by the artist Alma Thomas’s life and work, from the award-winning poet Alexis Pauline Gumbs
 
Alma Thomas (1891–1978) was an influential figure in twentieth-century modern art, best known for her bright, mosaiclike abstract paintings. Although some critics have seen Thomas’s emphasis on beauty, color, and abstract art as a way to divorce her work from her life as a Black woman, Alexis Pauline Gumbs reveals how Thomas’s art was, in fact, deeply rooted in the Black community in which she lived. Black, in other words, was one of Thomas’s primary colors.
 
Gumbs sheds light on Thomas’s experience as a junior high school teacher in the still-segregated schools of Washington, D.C., where Thomas—as educator, mentor, and advocate—established community art programs for Black schoolchildren and galleries to showcase Black artists’ work. In this volume of poems and prose, Gumbs becomes a student of Thomas, allowing the wonder in Thomas’s work to open her to wonder about her own creativity, sistering, daughtering, and practice of communal transformation.

From the groundbreaking trans scholar Susan Stryker, a provocative, genre-bending call to reconsider the story we tell about gender itself.

That gender is a hotly contested topic becomes ever clearer as antigender ideology continues to be mobilized by the far right and transgender people’s lives are increasingly targeted. But what are we talking about when we talk about gender? Where did the concept itself come from, and where might it go?

In Changing Gender, the leading trans scholar Susan Stryker invites readers to ride along on her lifelong quest to uncover what gender means and does. She traces the gender concept’s roots in grammar and tells the story of how it transformed into a battleground of the culture wars. From the origins of “Yankee Doodle” to acid trips in Joshua Tree National Park, from nineteenth-century phrenology to present-day anti-trans conspiracy theorists, Stryker finds surprising places to tune in to the origins, idiosyncrasies, and generative possibilities of the gender concept. Along the way, she weaves stories drawn from her lifetime as a pathbreaking historian, filmmaker, activist, and founding figure of transgender studies.

Poignant and deeply researched, lyrical and authoritative, Changing Gender is a book for our fraught time, exposing limiting assumptions about gender across the political spectrum and imagining what life might look like if some of those limitations were lifted. Ultimately, Stryker argues, to change gender is to change what it means to be human—and to change reality itself.

“In Changing Gender, Susan Stryker delivers a powerful and necessary account of how gender became a central battleground in modern political life, tracing the forces that have long sought to define, control, and weaponize identity. At a moment when trans people are facing coordinated political attacks and growing misinformation, this book cuts through the noise with clarity and authority—revealing not just how we got here, but what’s truly at stake.” —Imara Jones, founder of TransLash Media