Day: Sunday September 20th

  • Julia Harte and Russell Rickford on “Americans Without Borders” and “A Proxy Africa”

    About Americans Without Borders: The Radical Activists Who Fought for US Ideals Abroad While Facing Political Persecution at Home

    Inspired by the story of a distant cousin, investigative journalist Julia Harte explores the rich and hidden history of American citizens who fought against imperialism and dictatorship abroad, only to be excoriated at home.

    One night in 1940, a group of Stalinists opened fire on Leon Trotsky’s compound in Mexico City. In the end, the victim was not Trotsky, but his bodyguard: a young American named Sheldon Harte. For investigative journalist Julia Harte, the quest to uncover the truth about Sheldon—her father’s second cousin—was just the beginning of discovering a wider, hidden history of Americans who traveled abroad to join revolutionary liberation movements—and in return were labeled radicals by the U.S. government.

    From Americans who fought in the 19th-century Greek revolution to modern-day solidarity volunteers in Palestine, Harte chronicles two centuries of Americans whose support for international causes at odds with U.S. geopolitical interests put them in their own government’s crosshairs. The surprising characters she profiles include African American volunteers in the Spanish Civil War who battled bigotry and McCarthyism upon returning home; a Jewish American woman who helped the Black Panthers establish an international wing in post-independence Algeria; a teenage activist who organized Filipinos against the repressive Marcos regime; the forgotten Native American contingent in Nicaragua’s Sandinista-Contra conflict; and many more. These figures held various ideologies and beliefs, yet each in their own way sought to fight oppression and saw their actions as grounded in American ideals of equality, self-government, and human rights. Meanwhile, U.S. officials responded to them with surveillance, blacklists, travel bans, and prosecution.

    Through meticulous research and on-the-ground reporting, Harte brings her subjects to life in deeply personal detail, exploring not only their heroic sides but also the tensions between their actions and ideals. Interrogating how and why activists were branded as threats by an expanding security state, Harte asks what makes a ‘radical’. In lively narrative and rich detail, this eye-opening book reveals the long history of transnational radicalism as an irrepressibly American tradition.

    About A Proxy Africa: Guyana, African Americans, and the Radical 1970s

    How Guyana became the epicenter of anticolonial pan-African movements

    Nestled between Brazil, Venezuela, and Suriname, Guyana is the third-smallest sovereign state in mainland South America, and one of its youngest. Originally a Dutch colony, Guyana remained under British rule from the late eighteenth century until gaining independence in 1966 and becoming a republic in 1970. Apart from the 1978 mass murder-suicide of cult leader Jim Jones’s followers in Jonestown, Guyana has been mostly peripheral to mainstream geopolitics. Yet for a generation of Black revolutionaries from around the world, Guyana was a vibrant site of pan-African activism. The country was particularly attractive to veterans of the US civil rights movement who sought alternative places to construct flourishing postcolonial, pan-African nation-states.

    In this first, comprehensive history of Guyana’s core role in anticolonial, Black internationalist movements in the 1960s and 1970s, historian Russell Rickford traces the history of African Americans who traveled to the country to work with, learn from, and teach Guyanese politicians, activists, and other international figures in the long fight for Black freedom. With encouragement from Prime Minister Forbes Burnham, they eagerly accepted the invitation to move to Guyana to establish new cooperative settlements. Rickford compellingly narrates Guyana’s allure and promise for Black Americans, along with the limitations they faced when ideology clashed with lived realities—especially political ones—once there.

  • Gil Durán presents “The Nerd Reich: Silicon Valley Fascism and the War on Democracy” in conversation w/Maximillian Alvarez

    A fearless and urgent chronicle of the tech-authoritarian movement from its early days in San Francisco politics to its current moment on the international stage, exploring the wild and dystopian ambition of the technocrats at its center, and offering a road map to resistance.

    When Silicon Valley says it is ‘‘moving fast and breaking things,’’ the world interprets the chaos as a necessary cost of innovation. Gil Durán reveals something far more sinister: a decades-long campaign to replace elected governments with corporate rule.

    Drawing on insider political experience and new investigations, Durán traces this ideology from its philosophical roots in The Sovereign Individual by James Dale Davidson and Lord William Rees-Mogg. He introduces its modern apostles—Peter Thiel, Marc Andreessen, Balaji Srinivasan, and Elon Musk—and shows how the promise of technological liberation has transformed into a global movement for digital feudalism, powered by cryptocurrency, artificial intelligence, and the algorithmic propaganda of social media.

    The Nerd Reich explains the origins, strategies, and ambitions of Silicon Valley’s war on democracy for the first time. From San Francisco’s weaponized elections and secret billionaire projects to the White House, Durán exposes how the world’s richest men are building a new political order.

    The Nerd Reich is more than a hidden history, it’s an urgent warning: democracy is being dismantled not by coups or tanks, but by code, capital, and the illusion of innovation. Durán insists there is still time to fight back—if we act now.

    “This transfixing debut from journalist Durán investigates the antidemocratic ideologies espoused by tech billionaires linked to the second Trump administration…It’s an ominous look at an insular elite arrayed against American democracy.” —Publishers Weekly (starred review)

  • Emmaia Gelman presents “The Anti-Defamation League & the Racial State” in conversation w/Maha Hilal & Maxwell Greenberg

    “A gutsy, razor-sharp demystification of a powerful organization.”—Publishers Weekly (starred review)

    The first-ever history of the Anti-Defamation League and its determined, century-long alliance with Western empire.

    The Anti-Defamation League (ADL) is a major US political organization, yet its politics have gone largely unexamined. While the ADL is often portrayed as a defender against antisemitism and racism, its history shows that it is better understood as a proponent of the racial state and US empire. From “correcting” the embarrassing racial difference of immigrant Jews to policing the leftist politics of Black, Arab, and Jewish groups, the ADL pursued a conservative version of civil rights paired with aggressive anti-communism. Even as it became an authority on white nationalism in the 1970s, the ADL joined with the emerging anti-left, anti-Arab, and pro-Western neoconservative movement.

    This history presaged the ADL’s work, from the 1980s to the present, in developing the hate crimes framework as a pro-state policing project, which soon merged with the “War on Terror,” the “antisemitism scare,” and anti-Palestinian racism. The Anti-Defamation League and the Racial State presents the ADL’s history through its conflicts with social justice movements, illuminating the ADL’s outsize role in shaping the ideas about race and rights that have underwritten US empire.

  • One Maryland One Book 2026 Spotlight: Lawrence Burney presents “No Sense in Wishing” in converSatioN With Doreen St. Félix

    A personal and analytical essay collection from culture critic Lawrence Burney that is a personal and analytical look at his home city of Baltimore, music from throughout the global Black diaspora, and the traditions that raised him.

    There are moments in our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression. These moments inform how we understand the world, and ourselves, moving forward.

    In a time when music is spurring Black Americans’ connection with Africans on the Continent, culture critic Lawrence Burney takes us on a journey from the streets of Baltimore to the concert halls of Lagos, reminisces on seeing his mother perform as the opening act of a Gil Scott-Heron show when he was a child, and sits at a Maryland crab feast with family, assessing how the Black people in his home state have historically improvised paths for their liberation. Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him.

    No Sense in Wishing is a kaleidoscopic exploration of Burney’s search for self. With its gutsy and uncompromising criticism alongside intimate personal storytelling, this “powerful collection of essays” (Rolling Stone) is like an album that hits all the right notes, from a promising writer on the rise.

  • Austin Channing Brown presents “Full Of Myself: Black Womanhood and the Journey to Self-Possession” in conversation w/Tarana Burke

    In a time of rising authoritarianism and attacks on personal freedoms, the New York Times bestselling author of I’m Still Here chronicles her efforts to live as her full self in a society that wants women—and Black women in particular—to do anything but that.

    “A book that resonates and asks us to dig deep—not with judgment, but so that we better understand ourselves and the world around us.”—Phoebe Robinson, bestselling author, founder of Tiny Reparations Books

    As an antiracism educator and writer leading through America’s cycles of racial unrest, Austin Channing Brown reached a crossroads. “I love my work,” she writes, “and I am tired. We are tired. Tired of protesting. Tired of ‘saving democracy.’ Tired of educating and explaining.” She began to ask, “What do I deserve, not just as a citizen but as a human?”

    Full of Myself answers that question. Weaving personal narrative with perceptive social commentary, Brown offers a look at the mechanisms that limit who Black women are allowed to be—at work, at home, in community—and the defining moments when she decided that self-possession is the justice work she had been made to undervalue. From skinny-dipping in the ocean to becoming a mom, she delves into the drama of life and invites readers to begin defining themselves not as empty vessels to improve the world, but as a people born free in spirit, in hope, in joy.

    For Black women seeking to understand the true roots of their burnout, or for anyone wondering what it means to live joyfully in a hostile world, Full of Myself is a breath of fresh air and an invitation to full humanity.

  • Monique Couvson presents “Black Stats” and “Pushout: The Criminalization of Black Girls in Schools” in conversation w/Lisa Snowden

  • Lenna Jawdat and Susan Muaddi Darraj: “70,000: POEMS”

    Lenna Jawdat and Susan Muaddi Darraj: “70,000: POEMS”

    A conversation about Lenna Jawdat’s 70,000: an “embodied meditation on cultural displacement, memory, and resilience.”

    70,000 is a visceral and inventive poetry collection inspired by the removal of approximately 70,000 books from Palestinian homes and private libraries before and during the events of 1948. Of those books, most have not been returned; about 6,000 remain housed in Israeli national collections, where they are largely inaccessible to Palestinians.

    A powerful act of remembrance and resistance, 70,000 transforms cultural erasure into an archive of grief, memory, and hope.

  • Molly Crabapple presents “Here Where We Live Is Our Country: The Story of the Jewish Bund” in conversation w/Margaret Killjoy

    The dramatic story of the Jewish Bund—a revolutionary movement from a vanished world—and its radical vision of solidarity in an age of division.

    “Molly Crabapple beckons readers through a portal to an irresistible, lost world, one bound together by passion, solidarity, and a burning hunger for justice.”—Naomi Klein, New York Times bestselling author of No Logo and Doppelganger

    In the aftermath of the Holocaust, Sam Rothbort created “memory paintings” with the hope of resurrecting the vanished world of his shtetl childhood. Decades later, his great-granddaughter, the award-winning artist Molly Crabapple, discovered these paintings and one stood out: a girl, her dress the color of sky, hurling a rock through a cottage window. Itka the Bundist, Breaking Windows.

    Itka is how Crabapple met the Jewish Labor Bund. Once the most influential Jewish political force in eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.”

    In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund’s rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed?

    Here Where We Live Is Our Country reanimates a band of idealists who broadened our global political imagination. As we once again contend with nationalism, repression, and the struggle for belonging, the Bund’s remarkable story and message—that liberation, dignity, and solidarity must begin where we stand—reaches across time as a guide to our own urgent moment.